Kakemono Beauty with Chrysanthemum Ornament in Her Hair

Based on the previous owners' information and the condition of the object we place it broadly in the Shôwa (1926–1989) period, but cannot give a precise date.

Yes, this piece is a genuine handcrafted original that exists only once.

Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.